She introduced her. Miss Tolley bowed; and allowed herself to be drawn away by a lank-haired young man who had likewise been waiting for an opening. He represented the Uplift Film Association of Chicago, and was wishful to know if Miss Tolley would consent to altering the last chapter and so providing “Running Waters” with a happy ending. He pointed out the hopelessness of it in its present form, for film purposes. “Is it settled yet?” asked Joan. “Are they going to make room for him in the Cabinet?!

There was something about the poor, foolish painted face, as it looked up pleadingly, that gave it a momentary touch of beauty. “You mean,” she asked, “that they force themselves upon you, even if you make it plain—”

Joan had difficulty in deciding on her own frock. Her four evening dresses, as she walked round them, spread out upon the bed, all looked too imposing, for what Mrs. Phillips had warned her would be a “homely affair.” She had one other, a greyish-fawn, with sleeves to the elbow, that she had had made expressly for public dinners and political At Homes. But that would be going to the opposite extreme, and might seem discourteous—to her hostess. Besides, “mousey” colours didn’t really suit her. They gave her a curious sense of being affected. In the end she decided to risk a black crêpe-de-chine, square cut, with a girdle of gold embroidery. There couldn’t be anything quieter than black, and the gold embroidery was of the simplest. She would wear it without any jewellery whatever: except just a star in her hair. The result, as she viewed the effect in the long glass, quite satisfied her. Perhaps the jewelled star did scintillate rather. It had belonged to her mother. But her hair was so full of shadows: it wanted something to relieve it. Also she approved the curved line of her bare arms. It was certainly very beautiful, a woman’s arm. She took her gloves in her hand and went down. There were the others. The men and women not in the lime-light. The lone, scattered men and women who saw no flag but Pity’s ragged skirt; who heard no drum but the world’s low cry of pain; who fought with feeble hands against the wrong around them; who with aching heart and troubled eyes laboured to make kinder the little space about them. The great army of the nameless reformers uncheered, unparagraphed, unhonoured. The unknown sowers of the seed. Would the reapers of the harvest remember them? “Couldn’t you have saved a bit, Daddy?” she asked, “of all that wealth of youth—just enough to live on?”